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By Jonathan Harr
Art, History, Medieval
Random House
Hardcover, 288 pages
October
2005
$24.95
0375508015
Also available as an unabridged audio cassette, unabridged audio CD, an unabridged downloadable audiobook, eBook and in large print.
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An Italian village on a hilltop near the
Adriatic coast, a decaying palazzo facing the sea, and in
the basement, cobwebbed and dusty, lit by a single bulb, an
archive unknown to scholars. Here, a young graduate student
from Rome, Francesca Cappelletti, makes a discovery that inspires
a search for a work of art of incalculable value, a painting
lost for almost two centuries.
The artist was Caravaggio, a master of
the Italian Baroque. He was a genius, a revolutionary painter,
and a man beset by personal demons. Four hundred years ago,
he drank and brawled in the taverns and streets of Rome, moving
from one rooming house to another, constantly in and out of
jail, all the while painting works of transcendent emotional
and visual power. He rose from obscurity to fame and wealth,
but success didn’t alter his violent temperament. His
rage finally led him to commit murder, forcing him to flee
Rome a hunted man. He died young, alone, and under strange
circumstances.
Caravaggio scholars estimate that between
sixty and eighty of his works are in existence today. Many
others—no one knows the precise number—have been
lost to time. Somewhere, surely, a masterpiece lies forgotten
in a storeroom, or in a small parish church, or hanging above
a fireplace, mistaken for a mere copy.
Prizewinning author Jonathan Harr embarks
on an spellbinding journey to discover the long-lost painting
known as The Taking of Christ—its mysterious fate and
the circumstances of its disappearance have captivated Caravaggio
devotees for years. After Francesca Cappelletti stumbles across
a clue in that dusty archive, she tracks the painting across
a continent and hundreds of years of history. But it is not
until she meets Sergio Benedetti, an art restorer working
in Ireland, that she finally manages to assemble all the pieces
of the puzzle.
Told with consummate skill by the writer
of the bestselling, award-winning A Civil Action, The
Lost Painting is a remarkable synthesis of history and
detective story. The fascinating details of Caravaggio’s
strange, turbulent career and the astonishing beauty of his
work come to life in these pages. Harr’s account is
not unlike a Caravaggio painting: vivid, deftly wrought, and
enthralling.
Jonathan Harr is the author of the
national bestseller A Civil Action, winner of the National
Book Critics Circle Award for Nonfiction. He is a former staff
writer at the New England Monthly and has written for The
New Yorker and The New York Times Magazine. He
lives and works in Northampton, Massachusetts, where he has
taught nonfiction writing at Smith College.
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